A digital strategist and creative director with over a decade of experience in tech innovation and design thinking.
Paul Bailey, who passed away last year at 87, was acclaimed for possessing a witty genius, deep empathy extending to his most flawed characters, and a sharpness that avoided being sterile. His novels often explored the influence of recollections in shaping lives, propelled by clever, syncopated conversations. Beyond novels, he worked as a poet, memoir writer, and additional roles—this serves as a roadmap to the books he left behind.
Bailey was an outgoing person, a skilled communicator who adored “trivial chit-chat”, according to a fictional persona. He and friend fellow writer Beryl Bainbridge often enjoyed the serial drama Coronation Street and debrief by phone. This enjoyment of informal dialogues shines through in his books the book Trespasses (1970) along with Peter Smart’s Confessions (released in 1977). Each includes a leading man encircled by funny, annoying, over-the-top characters, often close relatives whose gravitational pull is unavoidable. “Why would anyone desire normality?” asks the mother of Ralph within Trespasses after he discloses his homosexuality. Like an evening with your smartest, cheekiest pal.
The novelist penned brilliantly about aging, early and late in his career. His debut novel the novel At the Jerusalem (published in 1967) details the life of Faith Gadny as she adjusts to a care facility, where other occupants provide kindness missing from caregivers, whose engagement via queries “Why not view the TV, ladies?”. In his penultimate novel Chapman’s Odyssey (2011), a senior in hospital alternates between clashing with physicians (“I only drink superior wines”, he insists after reprimands over liver tests) and being flooded by memories involving his mum, partners, classic characters like Dickens’s Pip to Austen’s Emma. The two works are filled with funny exchanges but marked by impending endings. Throughout his novels, laughter is suspect. In that book, “the matron grinned, then ended it abruptly”; Faith Gadny chuckles anxiously upon challenge to her conduct. In Chapman’s Odyssey, Harry warns that “my grins are misleading”. Your laughter, nonetheless, is sincere.
Besides novels, Paul Bailey served as a talented life writer, issuing two personal accounts. An Immaculate Mistake (published in 1990) stands as a masterpiece of recollection, the heading taken from his mum’s statement that “You were our mistake. You ought not to be here, by rights.”. (“Aged, she was releasing her confidences,” he comments. “This secret, she realized, would intrigue me.”) Here we see the origins of flawed, caring, annoying mothers and fathers in his novels. It also paints a moving picture of a homosexual young man in the 1940s–50s, when homosexuality was illegal, and his family found it odd if a male child gifted blooms to his parent; and of an aspiring actor (The writer was on stage prior to authoring) who learned Hamlet by age fifteen. His subsequent life story the book A Dog’s Life (2004) focuses on life with his mongrel puppy Circe, his ex-partner David, his love for Romania—that influenced future works including Kitty and Virgil, Uncle Rudolf, and The Prince’s Boy—and loads of chatter, including a tale involving author Iris Murdoch dubbing a participant an “idiot”.
The author’s fiction are mostly concise—the powerful Old Soldiers (published in 1980) is barely 100 pages—but for something shorter, explore his poems from his later career. The two books the poetry collection Inheritance (published in 2019) and also Joie de Vivre (from 2022) exhibit his humor, compassion, accuracy in condensed form. These verses are rich with endings and beginnings. Two affectionate topics reappear: about his parent (“I feel nearer to you now—/ I must confess—/ than when you lived”) and for his civil partner Jeremy Trevathan. In Amazement, he writes of the joy of enjoying “foolish television” side by side, ending with: “It’s remarkable, this simple act of consuming cheese and wine as darkness falls.”
There is little debate that the author’s most expansive book remains Gabriel’s Lament, a Booker Prize finalist in 1986. (He served as a judge for the award in 1982, a task he hated.) This was the book Paul Bailey valued most, although “it exhausted him completely”. It follows the tale of Gabriel Harvey, with a missing mother and a father who becomes a intolerable pretentious person following a financial windfall, and the events may link. It serves as a portrait of London in the 1900s, a story of mental breakdown, and equally humorous and sorrowful similar to his entire output. For more, it inspired a subsequent book, Sugar Cane (1993), which the author studied by going to such places to watch.
A digital strategist and creative director with over a decade of experience in tech innovation and design thinking.