A digital strategist and creative director with over a decade of experience in tech innovation and design thinking.
For many people who has spent a long time living in rental properties, staring at the same standard-issue beige walls and dreaming of injecting personal style to their home, Pantone's 2026 Colour of the Year might be perceived as a disappointing choice.
This year, the renowned color company has designated white as its flagship hue.
In detail, the shade is called Cloud Dancer – a white characterized as "lofty" and "airy" which "functions as a emblem of tranquility in a society re-evaluating the importance of introspection".
It marks the first time white has been picked as the Colour of the Year, and it has sparked considerable debate.
As stated by Pantone, Cloud Dancer "represents more than a hue, it's a state of being" and signifies a collective desire to slow down, recalibrate and seek peace after years of aesthetic chaos.
But some critics have labelled the decision as "out of touch", suggesting that promoting minimalist and pristine white spaces can feel distant from the smaller, lived-in homes most people call home.
Others propose that positioning white as aspirational introduces subtext related to race, causing discomfort within continuing political and cultural dialogues about inclusion and diversity.
Designer One design critic says the criticism goes beyond surface appeal, stating that white carries societal connotations and is seldom a innocuous choice.
"The color white sends a message," he says, shaped by a decade of sparse star homes – most famously Kim Kardashian's stripped-back home – that came to epitomize "affluence, control and removal from chaos".
He clarifies that white is "not intended to inspire but being careful not to offend", with Cloud Dancer representing "austerity, virtuous simplicity and the idea that neutrality equals goodness".
Beaumont points to the global health crisis as a pivotal moment in how people interact with their homes.
"Suddenly they became our offices, refuges and emotional anchors," he says, stating that in this context, directing the Colour of the Year towards "further visual emptiness feels rather tone-deaf".
Rather than providing calm, he believes white now threatens to heightening "a sense of emptiness", particularly when combined with harsh, sterile lighting.
An interior designer, a Surrey based design expert, agrees and says Cloud Dancer "doesn't really read as a colour" and is "completely rejected for me".
While it may work in extremely sparse or architectural spaces, she says pure white shades rarely create calm in real homes.
"An image of tranquility in a styled shoot can readily seem clinical at home," she clarifies.
"The color white may seem stark and demanding and you wouldn't wish your home to emit clinical feelings."
She adds that "homes should spark joy and feel warm and welcoming, and this hue seems quite removed from that."
Beaumont hopes that homeowners will disregard the Pantone Colour of the Year in preference for "unabashed dopamine décor", using colour to showcase individuality.
The vice president of the Pantone Colour Institute commented that people "bring different feelings" to the meaning of the colour, but it was selected as it "integrates perfectly with everything around it, providing a sophisticated impartiality that seems deliberate and adaptable".
Since its launch in 2000, Pantone's Colour of the Year has become a powerful industry signal.
Previous selections have included the optimism of Living Coral, the calm confidence of a deep blue, the energy of Viva Magenta, and most recently more gentle, feeling-based tones like Peach Fuzz.
These hues extend beyond style predictions - they appear in clothing lines, cosmetic products, interiors, packaging and even consumer electronics, influencing how products are marketed and how consumers envision the year ahead.
A style and trend expert, says Cloud Dancer is a "elegant choice" and while it may seem simple, "this specific hue seems soft and elegant rather than stark".
Contrary to those who say the colour is dull, the expert sees it as "flexible" and says it's best used in "sleeping quarters and communal spaces where you want a peaceful, restful ambiance".
"Should you don't want to repaint, you can introduce the colour into a room with pillows, throws and drapes."
Interior designer Another professional says although he was surprised that Pantone's selection this year was "essentially the absence of colour", it is a bit like a basic flavor, in that "everyone likes it but it's nobody's favourite".
He can see its benefits, noting that white can work particularly well as a backdrop for architectural details like wall molding and arched doorways which is a "rising style in modern homes".
In apparel, white has long been a basic rather than a statement and as a Colour of the Year it presents a different challenge to designers more accustomed to vibrant colors.
Fashion consultant Oriona Robb says elevating white feels "not focused on newness and more concerned with purpose", reflecting a shift towards sophistication after years of fad saturation.
"The color white compels designers and wearers alike to concentrate on form, scale and quality, there's really no room for error," she explains.
But she adds that it also carries presumptions around self-image, way of life and advantage, stating: "If white is viewed as something only a narrow group of people can wear well, it becomes divisive."
She says the fashion world is already aware of the uncomfortable undertones associated with celebrating white as an aspirational standard, particularly during ongoing conversations about inclusion and approachability, and the true challenge will be whether "companies address that nuance authentically, or simply glamorize the colour".
Stylist Katie Malik concedes the choice at first shocked her, considering Pantone's history of bold colours, but says it reflects a authentic change and fits within a wider mood of "quiet luxury
A digital strategist and creative director with over a decade of experience in tech innovation and design thinking.